Artist Note #37 – OPAL Month #1
July 30, 2025
Starting Off Right
It is the end of month one at OPAL AIR. Here’s a recap:
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I had some ideas of what I wanted to work on during the residency.
July – work on alt photo process with natural dyes
August – photograph women with an image archive
September – make a camera obscura inside the studio
Collage and Framing
I started well. I acquired a large set of National Geographic magazines around the time of the fall of the former Soviet Union (1980s-1990s). When browsing the magazine, you can see what people were visually consuming – news events and issues around the globe, environmental concerns, and scientific discoveries. The images were quite interesting to me. Having watched collage artists make work that felt like Hannah Hoch, I thought I’d cut out pieces and see where it takes me. After a few days, I quickly realized that cutting out images or pages at a time and then having to organize them into files wasn’t working.
Thanks to an art friend who gave me her professional paper cutter, I started cutting 2″x2″ squares, like quilting. I had been thinking about quilting again, but I didn’t have time this summer. Cutting squares and choosing what to keep in/out of the frame seemed much more in line with my mode of working.
I didn’t know how to display the images once cut, so I kept them in a bag. Then one day, a neighbor was giving away some slide frames, which I picked up. The whole box had about 1500+ slide frames! They perfectly fit the images I had cut out, but I struggled with connecting the frames for several days.
I glued them into boxes, but then thought about where to store them after the residency, which is another issue. I thought about making them modular, so I can stack them back in the box once I made the structure.
Patience is the Key
Anthotype Alt Photo Processing
I learned a lot during this phase. Waiting for paper emulsion to dry is not as challenging as waiting for gelatin to dry.
Here are some lessons learned on anthotypes/alt photo process:
– Turmeric has a short shelf life
– Red onion skins take almost a month for proper exposure
+ (old) Cyanotype on paper still worked. I wanted to explore cyanotype on glass. I viewed other artists making images on glass bottles and how-to videos on the process.
Gelatin (on cyanotype) takes much longer to dry (of course), but I didn’t want to wait. And as a result, the emulsion would adhere to the transparency.
Replicating the process again proved to be difficult when I moved the gel emulsion onto a 12″x12″ surface.
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I cut out more plexiglass into small pieces, but I am waiting for the gelatin emulsion to dry in the dark.
Digital Projections Photo Series
I cannot remember when, how, or why I wanted to do digital projections and portraits. I requested to borrow a projector at my local library back in February, thinking I could borrow it during August. I am still in the queue (#6) and not going to access it during the residency. I put out a call to borrow one from my community, and a couple of people were generous enough to let me borrow it.
I am slowly working with a few people to begin the portrait collaboration process. When asking people to sit for a portrait or to work on a photo series with others, it’s always some form of collaboration between the photographer, subject, and viewer. I haven’t taken portraits in quite some time. August will be the beginning point of the project. I’m not sure where it will take me.
I knew that I needed to test out the projector, so I worked on some self-portraits. Here is one:
Progress at the End of Month 1
And that’s the end of month 1 at OPAL. I took down the “collage” images I made at the end of graduate school. One panel is still on the wall, situated behind the studio door. But the rest have been taken down and look like this:
I’ve been sweating so much in the studio due to no a/c, but there is a fan I can use when class is not in session. Let’s see what August holds.














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