Artist Note #36 – Reduction or Rejection
July 9, 2025
Experimentation to Reduction
Week 2 in the studio at OPAL. Some things are good. Some things are not good. I began exploring natural dye papermaking on cold-pressed watercolor paper. It’s what I had on hand. Even though I know I should try other watercolor papers, I decided I don’t have the time to explore the rabbit hole of which type of paper to use. I have to determine which natural dyes, emulsions, and exposure times work for me.
Thus far, I have tried turmeric, red pepper flakes, and red onion skins. I dabbled in old cyanotype solution (which still works).
Here are the ratios for my current experiments:
Turmeric
turmeric (1/2 tsp) + isopropyl alcohol (91% solution)
Red Pepper Flakes
4 packets + 150 ml water
Red Onion Skins
red onion skins (several) + 150 ml water + 15 min on medium heat = 75 ml
NOTE: When heating, if you don’t cover, the solution will reduce to about half.
How Do You Handle Rejection?
The first few days in the studio, I thought, “This is looking ok.”
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But alas, the turmeric solution on paper didn’t work a second time. I think this was due to the sun exposure. It was around 5 pm, and the sun had shifted within the 30-minute exposure.
Part of the Struggle
These days, I have been writing down my internal and external struggles, receiving words from others, and witnessing the natural dye experiment failures – a parallel, if you will, of the real world and the art world.
But I think that’s life. How do you handle the rejection(s)? Will you push through and persevere? Or do you reflect on the rejection and pivot to something else?
Red Onion Skin Rejection
Lesson learned: You need several days to weeks for a print to reveal itself on red onion skin-dyed paper.
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